Case Study


How are postmodern media texts different from normal texts

Modernism is a movement in art and architecture (and others). The modernist era is associated with the early part of the last century, describing structures and intuitions where form is clearly linked to function. The post in postmodernism means after and how it differs from normal texts is that postmodern texts frequently break, challenge or subvert the conventions or rules of modernism. The texts in discussion are Blade Runner, Kick Ass, Family Guy, The Inbetweeners, Eminem “We Made You”, Lady Gaga “Telephone” and Saints Row the Third.

The first postmodern text that differs from other normal texts is Blade Runner (Ridley Scott, 1982) one of the most evident postmodern elements is the use of Jean Baudrillard’s theory “simulacra and hyperreality” as the film is about how humans have created human like robots which they call replicants. The replicants are imitations of humans obtaining similar characteristics and therefore leaving the audience questioning who is human and who is a replicant? This is because as an audience member our perception of reality is regularly overpowered with the possible imitations/illusions of reality. This is evident in the film when the character Rachael questions the character Deckard on whether he has passed the voight kampff test to identify if he is a replicant, he never answers this and the audience are left confused again on who is human and who is replicant.

In addition, a lot of postmodern texts are wary of the future which is obvious in Blade Runner as it continuously refers back to the past which is through its noir theme and 40s style music even though it is set in a futuristic America. Therefore, it is difficult for the audience to distinguish the time in which the film is set even though it stated 2019 which illustrates the postmodern element of confusion over time and space. This is also because it continuously pushes the boundaries of the present day through the use of futuristic transportation, human like robots, and its suggestion that in the future we will become a consumerist world. As a result, it is evident that Blade Runner is a postmodern text as it abandons numerous notions of modernism.
Another postmodern text that differs from other texts is Matthew Vaughn’s Kick-Ass (2010) as it incorporates numerous postmodern features throughout the film. It firstly includes intertextual references throughout which are usually to other super hero texts. The character Big Daddy clearly resembles Batman and it’s obvious that Vaughn has taken inspiration and paying homage to other superhero characters. Additionally, the music in the opening scenes is the same as the Superman theme song and finally the street the character ‘Kick-Ass’ lives down is similar in location to Spiderman. The use of these intertextual references is because post modern texts often assume a great knowledge on the part of their audience of conventions or representations and stereotypes, and therefore use this knowledge as a source of humour and pleasure.

Additionally, Kick-Ass incorporates Jean Baudrillard’s theory of hyperreality which is evident in the character ‘Hit Girl’. Hit Girl helps her Dad to fight crime around New York City which itself is a controversial due to the idea of a young girl fighting and killing adults and using weapons such as guns and knives. This is evident in the scene where her father asks what she wants for her birthday and she asks for two knives, illustrating the binary opposites.

This also blurs the boundaries as the audience find it difficult to differ between what is right and what is wrong. This is because the texts blends reality and fiction making the audience question can I become a superhero? As a result, it challenges the conventions as it conveys a fictional idea realistically and it therefore obvious how it differs from other media texts.

Another text which challenges modernistic conventions is the music video to Lady Gaga “Telephone” (2010). Firstly, it has a lot of pastiche as it continuously references other media texts such as Tarantino films and Thelma and Louise, at the same time parodying none of them. There is also a lot of consumerism in the video as the product placement becomes obvious throughout. This blatant placement is what makes the video self referential as it shows self awareness and it’s this ironic detachment which leads you to struggle to find any overall message, this struggle to find any narrative is what makes it incredulity towards meta narratives (Francis Lyotard). Finally, it is evident that there is identity based struggle within the music video. The Pop singer Lady Gaga turns the male gaze back on men which portrays women as a subject instead of an object which is a direct link to the Laura Mulver’s “male gaze theory” which is obviously subverted in this video. The above postmodern elements discussed are ultimately what make this text different from other media texts out there.

Additionally, Eminem “We Made You” (2009) includes postmodern elements which lead me to believe it contrasts other media texts. Once again the artist uses a large amount of intertextual references as he continuously portrays a variety of different celebrities such as Kim Kardashian, Jessica Simpson, Lindsay Lohan, Elvis Presley etc, he also makes references to films like Transformers and Star Wars. This use of intertextual references again links to Jean Baudrillard’s theory of hyperreality this is because of the amount of celebrities he portrays the audience could struggle to identify who is Eminem? In addition, hyperreality is evident in the celebrities he portrays as the audience are being given a simulation of reality/an idea of possible characteristics these celebrities holds therefore it becomes difficult for the audiences to comprehend what the celebrity is actually like. As a result, this directly links to the quote “a condition in which ‘reality’ has been replaced by simulacra”, the interpretation of the celebrity has effectively lost its relation to reality and begins to simulate a simulation and therefore its new representation replaces the reality.  

Overall, it is evident the above texts that I have discussed are different to other media texts through its postmodern elements such as intertextual references, pastiche, confusion over time and space, blurring the boundaries relation to postmodern theorists such as Jean Baudrillard and Francis Lyotard.


Video Game Postmodernity: Saints Row The Third

Tuesday, 04th March, 2013
In lesson we have been working on creating our own case study booklet in Indesign. Below is my completed case study booklet.



Tuesday, 27th November 2012
The postmodern film that I have chosen for my case study is Matthew Vaughn's Kick-Ass which was released in 2010. This is because it incorporates many postmodern elements into the film; some of which include:
  • Intertextual references
  • Hyperreal characters
  • Fragmented Narration
  • Self referential
  • Meta-textual
  • Borrows genres
  • Plays around with the mixture of reality and myth
Therefore, I believe this a suitable film to choose for my case study as I will be able to strongly discuss the reasons why it is postmodern and back these up with examples from the film.

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